Classical Music Meets Metal in “Corrective Measures”—An Interview with George Streicher

A picture of George Streicher
George Streicher explains overlaps between Halloween villain themes and Chopin’s “Marche Funèbre”

“With film, you’re telling a long-form story, so you really have to pay attention to the shape of the narrative, where you are in that narrative, and how things develop musically over time.”

AC: Do you have a fun fact or bit of trivia you’d like to share about working on Corrective Measures?

“I think my goal in every score is to respond to the film emotionally and try to translate that into music.”

AC: More broadly, who are some of your biggest artistic influences, musical or otherwise?



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